The Tempest as Shakespeares Resignation Speech -- Tempest essays

The Tempest as Shakespe ars long-suffering Speech In Shakespeares, The Tempest, the character Prospero is in worldly concerny carriages comparable to Shakespeare himself at the time he wrote the play. Prospero, having entertained himself with his magic for most of his life, today gives up his powers as he seems to understand that his magic is no more and no less than life itself it is just as transitory and hollow. This seems to weigh on Shakespeares attitude toward play writing. Having spent his life writing plays and universe entertained by his own employment, Shakespeare finds that his plays, while they explore the themes of life and relationship, are finally no more meaningful than life itself seems to a man who must have been feeling his mortality. The Tempest is Shakespeares resignation speech. Having found that his magic has failed him, Shakespeare is self-effacing to the real world, for if nothing of meaning is to be gained in play writing, and so all that is l eave is to be human. First, look at Prosperos final finish in the play. He is capable of returning to Milan and ruling it while holding his magical power - he does not have to choose betwixt the two - and he abandons his power. Just as Shakespeare was not forced to disown writing, Prospero is not forced to abandon his magic. In addition, Shakespeare specifically has Prospero tell us My charms crack not, my spirits obey, ... ( V.i 2 ). Shakespeare means to tell the audience he is not quitting because his ability as a writer is lessening at all, but specifically tells us through Prospero that he is at his circus tent and is completely in command of his art. There is no other self-explanatory thematic or plot-development reason why Prospero should specifically ... ...total lack of morality, or Hotspurs view of absolute honor, had some doubt to it, or could be musical theme of differently. Prosperos argument here is irrefutable. Nothing he presents is in any way iffy or doubt able. This is Shakespeares final conclusion plays, like life, fade into nothing, and nothing is left worth doing but to be what we are human, and mortal. Works Cited and Consulted Bloom, Harold. Modern detailed Interpretations William Shakespeares The Tempest. New York Chelsea House Publishers, 1997. Davidson, Frank. The Tempest An Interpretation. In The Tempest A Casebook. Ed. D.J. Palmer. capital of the United Kingdom Macmillan & Co. Ltd., 1968. 225. Shakespeare, William, 1998. The Tempest. Oxford Oxford University Press. 1998 Webster, Margaret. Shakespeare Without Tears. Greenwich Fawcett Publications, Inc., 1996.